PROFESSIONAL SKILLS

1. Identify your film/projects market:


Commercial/children/adults/Festivals


Sell it as something to show the potential of the animators involved in the project, try and get intrest from lighthearted animation companys such as CBBC, Bluezoo, Aardman, The Mill. we can also market the films potential to more serious company's such as Framestore and Cinesite, we are selling ourselves as animators rather than selling our idea.


2.Structure your individual website marketing on-line presence:



link to website: www.rushhourshort.blogspot.com


Facebook Promotion: http://www.facebook.com/groups/192123850901153/





3. Identify an employer/company who you will invite to the degree show:


Blue Zoo, The Mill, CBBC, Aardman, Cinesite


Here is the template i am sending to all companies regarding the degree show:








4. Evidence of how other animators /creative have marketed their products:




Potential Festivals for Rush Hour:








Holland Animation Film Festival
Utrecht - Netherlands
Holland Animation Film Festival
Utrecht - Netherlands
ION International Short Film, Animation & Games Festival
Los Angeles - USA
International Film Festival
Leeds - England
ArtFutura
October 28 to 31 2004, Barcelona - Spain
International Film Festival
Valladolid - Spain
International Festival for Documentary and Animated Film
Leipzig - Germany
International Short Film Festival
Uppsala - Sweden
The Festival du Nouveau Cinéma Montréal
Montréal - Canada
Woodstock Film Festival
New York - USA
Imago Film Festival
Fundao - Portugal
International Animation Festival
Ottawa - Canada
Atlantic Film Festival
Halifax - Canada
LA Shorts Fest
Los Angeles - USA
Prix ARS Electronica
Linz - Austria
International Short Film Festival
APalm Springs - USA
International Animation Festival
Hiroshima - Japan
SIGGRAPH
 Los Angeles - USA
International Animated Film Festival
 Annecy - France
International Film Festival
 Cannes - France

Worldwide Short Film Festival

 Toronto - Canada





International Short Film Festival of Drama
Athens - Greece
International Fantastic Film Festival (PIFAN)
Puchon - Korea
International Animation Festival
Melbourne - Australia
IFP Los Angeles Film Festival
Beverly Hills - USA
Film Festival
Sydney - Australia
Newport International Film Festival
Newport - USA
Mountain Film Festival
Telluride - USA
Animation Festival International
Kalamazoo - USA
Animation Festival International
Kalamazoo - USA
WorldFest - International Film Festival
Houston - USA
Delaware Valley Arts Alliance
Narrowsburg - USA
Golden Gate Awards Competition & International Film Festival
San Francisco - USA
Belgrade Documentary and Short Film Festival
Belgrade - Serbia
Florida Film Festival
Maitland - USA
Aspen FilmFest (Shortfest)
Aspen - USA
Genie Awards
Toronto - Canada
International Film Festival
Cleveland - USA
International Film Festival
Tampere - Finland
Cinequest
March 2 to 13 2005, San Jose - USA
Reel to Real International Film Festival for Youth and Families
Vancouver - Canada
Annual Academy Awards / OSCARS
Hollywood - USA
Film Festival
Victoria - Canada
Black Maria Film and Video Festival
Jersey City - USA
Sundance Film Festival
Park City - USA
Future Film Festival
Bologne - Italy
Toronto Film Critics Association Awards
Toronto - Canada
Canada's Top 10 - International Film Festival Group
oronto - Canada
Animadrid
Madrid - Spain
International Festival of Documentary and Short Film - (Zinebi)
Bilbao - Spain
Golden Horse International Film Festival
Taipei - Taiwan
Cape Town World Cinema Festival
Cape Town - South-Africa
International Film and Video Festival
Columbus - USA
International Animated Film Festival / CINANIMA
Espinho - Portugal
International Animated Film Festival / CINANIMA
Espinho - Portugal
5. Individual scheduling - weekly meetings etc. - (Google calendar)




6. Individual marketing plan for the degree show





Personally invite industry via email
buisness cards
flyers/posters
facebook groups


8. A short personal reflective account of how you have responded to this unit:

Personally i've found this unit very interesting, i think its a fantastic last minute opportunity to make some contacts in industry, i also think its the first unit other than E&E where we get to focus on the business side of things which i think is essential for when we finish our course. its also been pretty fun!


9. Evidence of Networking between team mates:



10. Individual Contract:





Broadcast Health and Safety:






1.3 HD Settings


High Definition Format
All material delivered for UK HD TV transmission must be:
1920 x 1080 pixels in an aspect ratio of 16:9
x 25 frames per second (50 fields) interlaced - now known as 1080i/25.
x colour sub-sampled at a ratio of 4:2:2
The HD format is fully specified in ITU-R BT.709-5 Part 2


1.3  Sound Quality

Sound must be recorded with appropriately placed microphones, giving minimum background noise and
without peak distortion.
The audio must be free of spurious signals such as clicks, noise, hum and any analogue distortion.
The audio must be reasonably continuous and smoothly mixed and edited.
Audio levels must be appropriate to the scene portrayed and dynamic range must not be excessive. They
must be suitable for the whole range of domestic listening situations.
Stereo audio must be appropriately balanced and free from phase differences which cause audible
cancellation in mono.
The audio must not show dynamic and/or frequency response artefacts as a result of the action of noise

1.4 Tolerance of out of gamut signals

In practice it is difficult to avoid generating signals slightly outside this range, and it is considered
reasonable to allow a small tolerance, which has been defined as follows under EBU Rec103:
x RGB components must be between -5 % and 105% (-35 and 735mV)
therefore
x Luminance (Y) must be between -1% and 103% (-7mV and 721mV)
Slight transient overshoots and undershoots may be filtered out before measuring, and an error will only
be registered where the out of gamut signals total at least 1% of picture area. Many monitoring devices
are designed to detect errors to this specification.

1.5 ‘Blanking’ 


HD images must fill the active picture area (1920 x 1080 pixels). No ‘blanking errors’ are permitted on new,
up-converted, or archive material.
However a two pixel tolerance will be permitted during CG or complex overlay sequences where key signals,
graphic overlays or other effects do not fully cover the background image. Where animated key signals or
overlays cause moving highlights at the edge of the active image it is preferable to blank these pixels
completely.  A note of the timecodes and reasons for these errors should accompany the delivered
programme.

LINK TO SCENE:




 http://www.youtube.com/watch?v=s9Yns37mJwE